19 in 2021: A Drone’s Eye View; Nat Pyper, Bárbara Baron, Julio Córdova, and Marissa Macias

19 in 2021: A Drone’s-Eye View is a website adaption of artist Nat Pyper’s sci-fi serial of the same name and an online exhibition featuring new works by Bárbara Baron, Julio Córdova, and Marissa Macias. Virtual Exhibition Dates: October 2, 2020 – November 20, 2020. Starting October 2nd , 6PM CST, at chuquimarca.com/19in2021, explore theContinue reading “19 in 2021: A Drone’s Eye View; Nat Pyper, Bárbara Baron, Julio Córdova, and Marissa Macias”

Tempo falacioso; Superimposiciones botánicas: Luíza Bastos Lages, Nancy D. Valladares, and Chucho Ocampo

Sin Cinta Previa + Chuquimarca are proud to present Tempo falacioso; Superimposiciones botánicas, an online video presentation of works by Luíza Bastos Lages, Nancy D. Valladares, and Chucho Ocampo Watch Tempo falacioso; Superimposiciones botánicas here: https://sincintaprevia.com Tempo falacioso; Superimposiciones botánicas is a selection of video works by artists Luiza Bastos Lages, Chucho Ocampo and NancyContinue reading “Tempo falacioso; Superimposiciones botánicas: Luíza Bastos Lages, Nancy D. Valladares, and Chucho Ocampo”

Anger as Currency: Christian Cruz

Anger as Currency: a participatory performance lecture and writing workshop with Christian Cruz Date: Wednesday, September 9th, 2020 Time: 6:30pm-8:30pm CT Zoom Link:  https://zoom.us/meeting/register/tJYqceChqjMvGNdZfIq0EZ3Jb6LGX5ryi24-Facebook event link:https://www.facebook.com/events/2698741903697905 Anger as Currency is a hybrid participatory performance lecture and writing workshop with performance artist Christian Cruz that incorporates lip syncing and channeling as a medium to facilitate trust andContinue reading “Anger as Currency: Christian Cruz”

ECCLESIASTÉS 1:2 : Carlos Salazar-Lermont, Curated by Wil Ruggiero

ECCLESIASTÉS 1:2 : Carlos SalazarCurated by Wil Ruggiero Exhibition Dates: July 2, 2020 – August 30, 2020 The title of the show is inspired by the verse of the Bible, which claims that “everything is meaningless”. Composed of performance art-imbued photography and video, Ecclesiastés 1:2 mines the tension and limits between body and material, anContinue reading “ECCLESIASTÉS 1:2 : Carlos Salazar-Lermont, Curated by Wil Ruggiero”